The Common Era

[hear the author read this piece by clicking this link.] The third Wednesday in September is Back to School Night, and as Stephen goes over his World History syllabus, he avoids the eyes of Mona McCullough and feels choked by the collar of his French-cuffed shirt. The summer is behind him, but its heat endures, […]

Arthouse

Crime novels have always been about the traces crime leaves in the external world and within the psyche of the criminal, and how the criminal and those who follow him make meaning of these traces. Modern entries by authors like Kobo Abe (The Ruined Map) and Paul Auster (The New York Trilogy) have elaborated the genre into high literature while also underscoring essential deficits of meaning in traces in the post-industrial world.

Bliss and Other Short Stories

From within their overheated cars and unstable relationships, the characters in Ted Gilley’s debut collection, Bliss and Other Short Stories, contemplate a lost American Eden. The nine powerful stories in this book, which won the 2009 Prairie Schooner Book Prize in Fiction, gather unity from their characters’ sharp perceptions of forests and fields, strip malls and parking lots.

Lineage

[hear the author read this piece by clicking this link.]   Their hosts in the south of France, the Clayburns, had asked Roger and his wife not to bring the babies with them. But Malcolm was only two-and-a-half, and Travis just six months. Roger and Claire felt they didn’t have much choice. Or Claire felt […]

Drain

In formulating his conceit for the novel Drain, Davis Schneiderman takes a page from forbears such as Kurt Vonnegut, whose agents of apocalypse are treated as perfectly ordinary matters of fact.