Jul, 09 2020 | no responses
Early in the novella, Rytkheu writes that a “legend could be said to be a truth that people had ceased to believe in.” The story is riddled with similarly potent lines, all of which can be independently pondered and applied to religious and philosophical conundrums that exist outside of Rytkheu’s story.
Jul, 06 2020 | no responses
Photo by Marcie Casas These days she moved through the world with the sense that she had either escaped from prison or been set free. The relief never left her; no matter what she did or thought about, it ran beneath—a current of euphoria at finding herself on the other side of captivity. A dozen […]
Jul, 06 2020 | no responses
It’s the sort of literary paradox definitely worth exploring. And it may be the very essence of humanity that Wortman-Wunder has deftly described in this remarkable collection.
Jun, 16 2020 | no responses
Crawford, like her characters, is not fearful, but bold and courageous in molding a novel that is unafraid to push the envelope of both our own expectations of genre and narrative, and how it should be deployed to expand a writer’s creative range. For readers, she tells a story that uncannily reflects the conditions of our collapsing world. Like her artist-detectives, we can investigate the terrible decay at the center of human experience, yet with hope and effort, we can also rebuild.
Jun, 04 2020 | no responses
One might excuse oneself for reading it in a single sitting, as I did, finding it difficult to put down or forget. But it would be unforgivable, or at least odd, if one doesn’t find the volume a tour de force of classic and formidable craft as well as talent.
May, 28 2020 | no responses
This is no novel. This is writing about writing itself that explores the intersections between the life, or lives, of the writer(s) and the written work(s). A ribald blast of immersion into the meta-poetic, if you will, which is only further compounded by the mystery of who is really behind this work.