First in the Mountain West Poetry series, edited by Stephanie G’Schwind & Donald Revell “Kryah’s lines are full of figurative grace: The images stun and accumulate. We Are Starved introduces an important poetic vision, a surprising and exciting voice.” —Laura Kasischke, author of Space, in Chains and The Raising “In haunted days more filled with […]
Chapbook. Design by Gordon Hadfield and Sasha Steensen. Edition of 75 copies.
Winner of the 2010 Colorado Prize for Poetry, selected by final judge Donald Revell. Zach Savich’s first book, Full Catastrophe Living, won the 2008 Iowa Poetry Prize and received a New American Poet honor from the Poetry Society of America. His poems, essays, and book reviews have appeared in many journals, including Boston Review, Kenyon […]
Original, inventive: we want our poets to be bold. We want the poems to add up to more than the sum of their parts. We want the sublime, the open-to-the-bone exclamation of epiphany. And we’d like the poem to be smart but not too intellectual. Why not? In her second book, The Irrationalist, Suzanne Buffam […]
Featured poetry from the Spring 2011 issue.
Featured poetry from the Spring 2011 issue.
Featured poetry from the Spring 2011 issue.
Featured poetry from the Spring 2011 issue.
Nature can be good for us. In a recent study, Japanese scientists found that walking through a forest or other wooded area for a few hours reduced concentrations of the stress hormone cortisol in subjects and lowered blood pressure. Other studies show green areas alleviate anxiety and depression.
Beginning with the decorative language poem, “Drip drip drip drip drip drip drop / …,” that serves as the book’s frontispiece to the lively rift of forty-five names for “the city I cannot name” (after T. S. Eliot’s “Unreal City”) in the title poem, John Beer’s language fuels a successful momentum.