Michele Glazer’s new collection, On Tact, & the Made Up World, finds the author experimenting with a more sentimental mode, moving out of the strange and intuitive observations in her previous work and into a voice that seems to be less trustful of language, less precise in its vision, and more engaged with the subtle opacities of communication.

Surviving the arctic winter, dealing with a relationship pulling apart, and living in an Inupiat community that is struggling to maintain its identity are the themes that intersect in Kelsea Habecker’s Hollow Out.

Eschaton by Michael Heller, published by Talisman House, is a collection of largely philosophically discursive poems, many of which are, perhaps, rendered in too much of a conversational tone for a thorough appreciation of them.

Maxine Chernoff asks an important question in her introduction to the Slope Editions Book Prize winner Anamnesis: “What response will the reader have to this malady of words and their impermanence?”

Despite the growing popularity of shows such as A&E’s Intervention, which seem to have the best intentions at heart for their subjects despite their melodramatic production values, addiction remains a pervasive taboo for most Americans. (That is, of course, unless you are discussing Lindsay Lohan’s latest exploits with your BFF over lattes.) In our milieu […]

“Odds” are handicaps that offer a weaker player a chance of winning against a stronger one. In adopting baby Suzhou from China, Daneen Wardrop is doing just that—increasing Suzhou’s odds of survival in a world where girl children may be seen as liabilities.

Matvei Yankelevich’s Boris by the Sea is, as Rosemarie Waldrop says in her blurb on the book’s back cover, not so much a collection of poems and dramatic sketches

Emily Wilson draws inspiration from Robert Hooke’s seventeenth-century publication of the same name that details Hooke’s study of microscopy. Both poet and naturalist proceed with the imperative of expanding knowledge;