Colorado State University Center for Literary Publishing

Nonfiction

Letters from Max: A Poet, a Teacher, a Friendship

Jun, 20 2019 | no responses

This quietly devastating “book of friendship,” as the text is subtitled, both flies and lives in the body as Ruhl and Ritvo talk about soup, the afterlife, chemotherapy, and poems—all within breaths and pages of one another. If you already love Ritvo’s poetry, as I do, this book lends a new degree of intimacy and a greater perspective on the aesthetic metaphysics at work in his poems.

Lyric Multiples: Aspiration, Practice, Immanence, Migration

Jun, 17 2019 | no responses

Of course, Albon is not building cities. He is writing poems. The same physics don’t apply. Moreover, he is explicitly critical of poetic preoccupations with worlding, with limitless creative expansionism.

Running Home

Jun, 14 2019 | no responses

What Arnold’s memoir is really about, however, is family. The running is secondary, an access point into the more complicated, contradictory details of her personal life. For Arnold, running both stifles and releases the grief that consumes her after losing her father, and the uncertainty, love, and regret that thump through her family’s history and the pages of this book.

Rising: Dispatches from the New American Shore

May, 06 2019 | no responses

She marshals scientific, intellectual, literary, and journalistic resources to document how climate change has impacted our world on multiple levels. Her book is a very honest appraisal of both the changes we have wrought and the challenges that we and our children must face.

The Darkness Call: Essays

Apr, 24 2019 | no responses

As a collagist, Fincke’s medium is the paragraph, each seldom exceeding a dozen lines, demarcated by white space, and, more often than not, set off by a simple title as though each paragraph begins a new chapter. In many cases each paratactic paragraph flies in a different direction than the last.

Adiós to My Parents

Apr, 19 2019 | no responses

Aguilar Camín varnishes his sentences with great perceptiveness and lyrical grace, and there is an almost effortless beauty and tremendous sensitivity to his prose, which makes reading his work particularly gratifying. Transporting the reader to places like Asturias and Mexico City to retrace the origins of his parents and grandparents, he invokes artistic license to depict not merely the locales but also their impressions of the place.

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