Itch
While it’s doubtful that Seidenberg’s wager will pay off for most readers, there’s no doubt that Itch will forever reside among the more intensive, audacious and obstinate first novels ever written.
While it’s doubtful that Seidenberg’s wager will pay off for most readers, there’s no doubt that Itch will forever reside among the more intensive, audacious and obstinate first novels ever written.
While it’s not always clear where the narrative is headed, the book is self-conscious about the trickiness of its form and whether the story is coalescing.
The author Ottessa Moshfegh is getting some attention these days, and with good reason.
With its staccato opening lines, Eimar McBride’s audacious and harrowing first novel, A Girl Is a Half-Formed Thing, announces its linguistically disruptive intentions . . .
Snow and Shadow, translated from Chinese by Nicky Harman, is a restrained—bordering on disinterested—dreamscape that spends much of its time in the realm of nightmare.
Kimzey’s collection proposes that we need look no further than our own homes and communities for the source of the curious and the bizarre, and it is through these otherworldly, yet earthly, creations that we discover that which binds us all.
Mike Meginnis has done something truly remarkable with his debut novel, Fat Man and Little Boy. He has created a piece of art that transcends genre boundaries while remaining both accessible and conversation sparking.
Karen Karbo’s The Diamond Lane offers a unique and humorous perspective on the materialistic values of Hollywood. An award-winning author, Karbo has published fourteen books: novels, memoirs, and nonfiction, including her best-selling “Kick Ass Women” series, a nonfiction series in which Karbo commentates on the lives of powerful women of the twentieth century—Julia Child and Audrey Hepburn, for example—and on the life lessons one can take from their stories.
As Eugen Ruge’s novel In Times of Fading Light opens, the year is 2001, the place is a town named Neuendorf on the outskirts of Berlin—a town formerly in the German Democratic Republic (GDR), the Communist eastern half of Germany—and the characters are forty-seven-year-old Alexander Umnitzer and his aged father, Kurt.
Winner of the 2014 Nelligan Prize for Short Fiction, selected by Kent Nelson In black and white, two men as silhouettes at a distance across a sea of sand. A donkey between them, their outlines hazy in the blaze of day. The sky is a solid mass of barely blue, and a blur on the […]