In Defense of Obsession
Obsession, we’re told, is unhealthy at worst, embarrassing at best. To write about one’s obsessions, to air them publicly, is particularly tacky—or so we seem to believe.
Obsession, we’re told, is unhealthy at worst, embarrassing at best. To write about one’s obsessions, to air them publicly, is particularly tacky—or so we seem to believe.
Using trial transcripts, witness testimonies, interviews, medical descriptions, and more, Rukeyser documents a nonlinear account of the industrial disaster through voices both real and imagined. Throughout, she never loses sight of the potential problematics of documentary poetry (voyeurism, appropriation, etc.) and this inquiry into her own method is an integral part of the poem.
One of the things I’ve come to understand about artistic pursuits, or at least about mine, is that they are anything but linear. Sometimes one needs to push the limits only to retrace origins and vice versa. So it is that I began exploring seemingly oppositional forces at play in art in general, and subsequently, in written mediums.
On the faces of my students when I suggest they submit their work for publication: flattery, confusion. And I get it—no one taught me how to submit, how to find journals I admire, how to know when a piece is ready. The prospect can be daunting when you’re starting out.
As the writer holding power, women might offer alternative representations of women within the actual content or use their power to communicate their powerlessness.
After more than twenty years of being headquartered in Aylesworth Hall, the Center for Literary Publishing has moved across the Colorado State University campus and into the Tiley House,
In our June episode, podcast editor Meghan Pipe is joined by incoming podcast editor Evan Senie, who will read an excerpt from Benjamin Soileau’s “Boosh Bourgeois.” The story appears in the upcoming Summer 2018 issue of Colorado Review. Then, they’ll be joined by Soileau via phone to chat about the story and Soileau’s work. Listen […]
In our May episode, podcast editor Meghan Pipe dives into the archives to read Jennifer Itell’s essay “Moonwalk” from the Fall/Winter 2017 issue. Listen to the podcast here: Episode 36. Become a subscriber to the Colorado Review podcast! Just search “Colorado Review” in the iTunes store or follow this link.
The very act of writing and talking things through facilitates our ability to discover and articulate things we sometimes didn’t even know we knew, arrive at answers we didn’t know we had.
By Colorado Review Associate Editor David Mucklow The end of the MFA is an inevitably strange experience, full of sort of empty landmarks of finality: turning in your thesis, defending your thesis, writing your last paper, grading your last paper, attending your last class, having your thesis formally accepted by the graduate school (a task […]