Colorado State University Center for Literary Publishing

x3MFA program

On Love Poetry

Feb, 13 2019 | no responses

By Colorado Review Associate Editor Daniel Schonning For most of us, the pitfalls associated with writing a modern love poem are nearly too many to count. On one side: the saccharine, the sentimental, the end-rhymed and metrical. On the other: the woe-filled; the creepy; the self-obsessed, erotic magnum opus. Somewhere between exists the razor’s edge […]

Interview with Shannon Sweetnam: Winner of the 2018 Nelligan Prize for Short Fiction

Dec, 14 2018 | no responses

By Colorado Review Editorial Assistant Esther Hayes Shannon Sweetnam is a Chicago-based essay and fiction writer whose work has appeared most recently in the Chicago Tribune, terrain.org, Cleaver Magazine, SmokeLong Quarterly, the Golden Key, Literal Latte, the Pinch, Crab Orchard Review, Nano Fiction, and Georgetown Review. She is the winner of the 2016 Wilda Hearne Flash Fiction Contest, 2010 Jack Dyer Fiction Prize, and two Illinois […]

An Interview with Poet Abigail Chabitnoy

Nov, 16 2018 | no responses

In this interview, Abigail Chabitnoy walks us through her experiences as a student, writer, and poet seeking publication. She was a 2016 Peripheral Poets fellow, and her poems have appeared in Hayden’s Ferry Review, Boston Review, Tin House, Gulf Coast, and Red Ink, among others.

A Podcast Update

Nov, 02 2018 | no responses

By Colorado Review Associate Editor and Podcast Editor Evan Senie The most tiring, frustrating, and wonderful part of my experience at the Center for Literary Publishing this semester has been taking over podcast-hosting duties with Daniel Schonning. We try to produce one podcast episode per month, which seems like it should be easy, and I […]

Muriel Rukeyser and the Legacy of Documentary Poetry

Oct, 23 2018 | no responses

Using trial transcripts, witness testimonies, interviews, medical descriptions, and more, Rukeyser documents a nonlinear account of the industrial disaster through voices both real and imagined. Throughout, she never loses sight of the potential problematics of documentary poetry (voyeurism, appropriation, etc.) and this inquiry into her own method is an integral part of the poem.

Ready, Set, Submit!

Oct, 05 2018 | no responses

On the faces of my students when I suggest they submit their work for publication: flattery, confusion. And I get it—no one taught me how to submit, how to find journals I admire, how to know when a piece is ready. The prospect can be daunting when you’re starting out.

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