On Love Poetry
Feb, 13 2019 | no responses
By Colorado Review Associate Editor Daniel Schonning For most of us, the pitfalls associated with writing a modern love poem are nearly too many to count. On one side: the saccharine, the sentimental, the end-rhymed and metrical. On the other: the woe-filled; the creepy; the self-obsessed, erotic magnum opus. Somewhere between exists the razor’s edge […]
I Can’t Contain My Excitement for These New Books in 2019!
Feb, 01 2019 | no responses
By Colorado Review Managing Editor Katherine Indermaur Did you know that the number of people reading poetry in this country has almost doubled since 2013? This could very well be explained by the increased visibility of great poets of color and LGBTQIA poets in recent years. So, as one might expect, there is so much […]
Interview with Shannon Sweetnam: Winner of the 2018 Nelligan Prize for Short Fiction
Dec, 14 2018 | no responses
By Colorado Review Editorial Assistant Esther Hayes Shannon Sweetnam is a Chicago-based essay and fiction writer whose work has appeared most recently in the Chicago Tribune, terrain.org, Cleaver Magazine, SmokeLong Quarterly, the Golden Key, Literal Latte, the Pinch, Crab Orchard Review, Nano Fiction, and Georgetown Review. She is the winner of the 2016 Wilda Hearne Flash Fiction Contest, 2010 Jack Dyer Fiction Prize, and two Illinois […]
An Interview with Poet Abigail Chabitnoy
Nov, 16 2018 | no responses
In this interview, Abigail Chabitnoy walks us through her experiences as a student, writer, and poet seeking publication. She was a 2016 Peripheral Poets fellow, and her poems have appeared in Hayden’s Ferry Review, Boston Review, Tin House, Gulf Coast, and Red Ink, among others.
Ready, Set, Submit!
Oct, 05 2018 | no responses
On the faces of my students when I suggest they submit their work for publication: flattery, confusion. And I get it—no one taught me how to submit, how to find journals I admire, how to know when a piece is ready. The prospect can be daunting when you’re starting out.
Horror Poetry, Women, and a Pittsburgh Mini-Haunting
Sep, 21 2018 | no responses
As the writer holding power, women might offer alternative representations of women within the actual content or use their power to communicate their powerlessness.