Divinity School
Rabins reveals that our gestures allow us to know our bodies, and the emotional associations of our words and choices are what define us.
Rabins reveals that our gestures allow us to know our bodies, and the emotional associations of our words and choices are what define us.
The Opposite of Light offers a momentary glimpse into the shards of a relationship that have been carefully pieced back together using poetry’s inner logic and grammar
Awash in blunt humor and hazy renderings of the quotidian, A Pillow Book is a genre-bending collection containing micro-essays, dream logs, encyclopedia entries, and philosophical musings.
Gizzi is always exacting with his line breaks and in this case uses them to test his feeble autonomy over language by showing that he can break the line wherever and however he wants.
Thirteenth in the Mountain West Poetry Series, edited by Stephanie G’Schwind & Donald Revell From the moment of a marriage’s heated inception to its period of luminous crowding and onward into distance and darkness, Bonnie Arning’s Escape Velocity asks if it’s possible to exist outside the only universe we’ve ever known. In modes both lyric […]
Twelfth in the Mountain West Poetry Series, edited by Stephanie G’Schwind & Donald Revell In his first collection of poems, &luckier, Christopher J Johnson explores the depths to which we can know our most intimate friends, habits, and—even more so—selves. From a mosaic of coffee cups, dinner engagements, razors, walks around his city, and the […]
Rather than search for absolution, Fridman writes into the complicity, into the fault.
There is optimism in this book, but it is an optimism like none I’ve otherwise encountered—it is one that does not say “all will be fixed”; it is one that says we will, at least, forever be able to begin again.
Kelly’s sentimentality is distorted through trauma, but it is that distortion that draws us in
Landry has approached the art of erasure in reverse, so that something of the timeless, meditative tone of Sappho remains, no doubt amplified by one’s foreknowledge going into the work, and yet they become poems wholly separate.