Wins and Losses
Although the stories are packed with people and dialogue, and laughter, there are also moments of affecting silence, of reflection or metaphor.
Although the stories are packed with people and dialogue, and laughter, there are also moments of affecting silence, of reflection or metaphor.
Made up of individual stories, each one ending in a fire or focused on accounts of those caught up in a wildfire apocalyptic event, this is a creative, provocative, and refreshingly different sort of book.
June 1969. Quang Ngai Province. Vinh An, a village at the mouth of Song Tra Bong. The days were sweltering, leaning into each other like unbathed bodies.
Volodine’s novel is energetic, offbeat, fast-paced, and shows an off-kilter sense of humor. He writes with a comic purpose, populating his world with strange characters and inexplicable events and outcomes.
Set in a depressed blue-collar community in the isolated backcountry of Arkansas, the novel depicts inhabitants’ struggles with drugs, abuse, and discrimination, and their search for an escape from deprivation and a foreseeable life of crime.
The language is compressed, carefully wrought, every sentence doing the work of many.
…the presence of the alien ship never overwhelms the meat of the story, a heartfelt slice of life told through alternating perspectives of a nuclear family in the ’90s.
Tremain paints her picture of post-war Switzerland with care and steadiness, and the reader can’t help but surrender to the landscape and the authorial voice.
One evening in New York, Lina Meruane’s body “seize[s] up” and leaves her “paralyzed, [her] sweaty hands clutching at the air.” Just as she reaches to her purse to pick up an insulin shot, a “firecracker” goes off in her head . . .
In text segments set apart by eerie black and white photographs and simple headings, the Starks, a Minnesota farming family, first by how and when they died, and then by who they were when living.