Massive, Cleansing Fire
Made up of individual stories, each one ending in a fire or focused on accounts of those caught up in a wildfire apocalyptic event, this is a creative, provocative, and refreshingly different sort of book.
Made up of individual stories, each one ending in a fire or focused on accounts of those caught up in a wildfire apocalyptic event, this is a creative, provocative, and refreshingly different sort of book.
June 1969. Quang Ngai Province. Vinh An, a village at the mouth of Song Tra Bong. The days were sweltering, leaning into each other like unbathed bodies.
Volodine’s novel is energetic, offbeat, fast-paced, and shows an off-kilter sense of humor. He writes with a comic purpose, populating his world with strange characters and inexplicable events and outcomes.
Set in a depressed blue-collar community in the isolated backcountry of Arkansas, the novel depicts inhabitants’ struggles with drugs, abuse, and discrimination, and their search for an escape from deprivation and a foreseeable life of crime.
The language is compressed, carefully wrought, every sentence doing the work of many.
…the presence of the alien ship never overwhelms the meat of the story, a heartfelt slice of life told through alternating perspectives of a nuclear family in the ’90s.
Tremain paints her picture of post-war Switzerland with care and steadiness, and the reader can’t help but surrender to the landscape and the authorial voice.
One evening in New York, Lina Meruane’s body “seize[s] up” and leaves her “paralyzed, [her] sweaty hands clutching at the air.” Just as she reaches to her purse to pick up an insulin shot, a “firecracker” goes off in her head . . .
In text segments set apart by eerie black and white photographs and simple headings, the Starks, a Minnesota farming family, first by how and when they died, and then by who they were when living.
Matthew Binder’s High in the Streets is a transgressive novel packed full of self-destruction and self-flagellation.