
About the Feature
Degrees of Gray in West Seattle
Photo by Mykyta Martynenko on Unsplash
Say June went gray after that one perfect week. Say
you missed the game-clinch
catch or married the wrong man—the details don’t
matter. So here you are
at the sparse city beach at noon on a Tuesday, alone
with the fallen volleyball nets
and the week-old trash and the dull windows of
ferries passing, the one-foot
pigeons. Two kids are playing ball. One yells, Accuracy!
Accuracy! while the other,
smaller, runs around not catching it. You would have
been him, the little one. You
are him now, your depth perception shot, a cinder in
your eye, but all the time.
The small kid rolls and trips like the raccoon pups
that tumbled from under
the porch last night when you snuck out for a smoke,
the mom raccoon sat
grooming with her eerie little hands. She knew you
weren’t a threat, the closest
you get, you guess, to grace. It made you want to cinch
the mouth of the wind sock
carp and put your mouth to its mouth, let the air
rush in. The problem is you
can’t fish, can’t cut bait. The problem is you can’t
know if a chance is your last till
it’s passed. Go long! the first kid yells, and the little
one backs toward the freezing
Sound. Nears the water, keeps walking. Go long. Still
moving, his feet are in the foam
now, and a trick of light or else your ruined vision
makes it look like he’s not
stopping, so long, long gone, but no. The problem’s
with your eyes. He’s standing
there looking at you grinning, like, I’m onto you, buddy,
like, This is far enough.
About the Author
Sarah Kathryn Moore holds an MFA and a PhD from the University of Washington; her work has appeared in Poetry Northwest, Tupelo Quarterly, and elsewhere. She lives and writes in Seattle.